I think you're right about the PVC legs. that might be a bad idea, especially since they're going to be thinner than the base pipe. weather proofing is nice, but in the end, I'm going to be shooting and packing my bags in the same session.
I don't think I'm going to do a top-down view rig. Higher up in the air is what I meant I think. In pretty much every recording I've done, it's been a good idea to get at least 1-2 cameras higher up than the others. In my case, I wedged them on ceiling pipes, bookshelves, anything taller than the actor.
The top plate has me wondering about how I drive the base into the ground if it's there. I think your idea of a cap is a good idea. May avoid the plank because that's one more thing to make that I'd rather not and probably don't need. Just need the pole to stay the hell put.
"but you need the right to left chatter to be stopped, so whatever you do, that has to be achieved." chatter? not sure I know what you're referring to.
....after all of this discussion about bracing. Do you think these extra legs will be required if I drive the main base into the ground deep enough? no extra legs. Would have to sharpen one end of the PVC base. Would the base hold up such pile-driving if I were to drill in my back-yard dirt driveway? it's not pro like the 3d model and schematic you sent, but for speed in setup......I just wonder is all. How much of a difference do the legs make if you make a deep enough impact in the earth....or is the base pole completely above ground and the braces are what you hammer?
I know I'm going to regret not making a shader. Only one time did I successfully record outside but I might have been lucky because it was in my backyard driveway and I think the trees around me helped. This was just 4 cameras and perfect weather with no wind. My tripods aren't tripods; they're light-stands that go up about 9 feet:
https://www.youtube.com/watch?v=J0-RNRAhF1A Thanks for all of your help!