I'm running my second dKS session data now with improved camera placement. Originally, I used the length of the room to space the cameras as wide as possible to increase coverage. The problem with this orientation is that I didn't have a lot of depth data, which affected calibration and tracking accuracy. This time I moved the cameras to the end of the room to maximize the range; the cameras are not as far apart now but I now see a broader range of colors in the depth data.
Calibration result is significantly better; ground plane looks correct now. This time I tracked about 500 frames and that seems plenty. A new feature is the ability to 'hide' the background. Basically, the room gets differenced out using 2 seconds of 'background only' data, which is especially cool to visualize in 3D by rotating the perspective view.
I've attached five screen caps below to illustrate the dKS calibration method:
Image 1. This is what the raw depth data from Kinect 'camera' 1 looks like.

Image 2. This is the same data with the background data 'hidden'.

Image 3. The same data seen from Kinect 'camera' 2.

Image 4. Looking from behind the 3D volume at the two Kinect Sensors.

Image 5. Even better, depth data from Kinect 1 and 2 merged together! This gives you a fairly good idea of the size of the capture space.

BTW, if you look to the left of the board you can see Sergeant Marshmallow sleeping on the couch. :)
I enabled 'Don't Record RGB Stream' for this session because I'm shooting at night and you really can't see much with the low-intensity living room lighting; the extra data would just be wasteful. If the RGB data was recorded, you could see a normal video image in the background or as zoomable PIP images in the upper right corner. I'll do a quick session in the morning with embedded RGB data when the living room lighting is much brighter.
Okay, getting prepared to track the new mocap data now.
G.